canon m6 mark ii

CANON EOS M6 MARK II KIT 15-45MM IS STM RESMI - CANON EOS M6 MARK 2 - SILVER RESMI, PAKET E 128GB di Tokopedia ∙ Promo Pengguna Baru ∙ Cicilan 0% ∙ Kurir Instan. The Canon EOS M6 Mark II retains the 180° vertically tilting touchscreen (Image credit: Future) (opens in new tab) Canon EOS M6 Mark II (Silver) at Amazon for $849 (opens in new tab) The new powerhouse 32.5MP sensor gives this camera a higher resolution than its big brother, the Canon EOS R (opens in new tab). In fact, the M6 Mark II packs more megapixels than any Canon body save the 50MP 5DS/R – not at all bad for the supposedly humble APS-C format. Canon EOS M6 Mark II Mirrorless Digital Compact Camera + EF-M 15-45mm F/3.5-6.3 IS STM + EVF Kit, Silver 601 Canon EOS M6 Mark II Mirrorless Camera for Vlogging + 15-45mm Lens, CMOS, APS-C Sensor, Dual Pixel CMOS Auto Focus, Wi-Fi,Bluetooth and 4K Video 601 The Canon EOS M6 Mark II Mirrorless is a versatile, fast, and compact DSLR and an update to the popular Canon EOS M5. Key features include: 32.5MP APS -C CMOS sensor Native ISO sensitivity of 100-25,600 UHD 4K30p and Full HD 120p video capture Dual-Pixel CMOS autofocus system Read More Q & A Will this camera function as a webcam? Shop the EOS M6 Mark II from Canon U.S.A., Inc. The EOS M6 Mark II camera blends high-quality optics into a compact, mirrorless design. Vay Online Tima. Digital Camera World Verdict Where its predecessor was capable as a compact system camera, the Canon EOS M6 Mark II is a potent primary camera – regardless of category. Its powerhouse sensor sets a new benchmark for APS-C systems, along with ferocious 14fps continuous shooting and uncropped 4K video – all in a truly pocketable body with an optional viewfinder should you so desire. In everything save the mount and sensor size, this is poised to be an EOS R beater. Pros +Monster APS-C sensor+14fps continuous / 30fps burst+Uncropped 4K with Dual Pixel CMOS AF Cons -180° screen, though no articulation-No in-body image stabilization-Native EF-M lenses still limited Why you can trust Digital Camera World Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. Find out how we test. The original Canon EOS M6 was easy to like, but difficult to love – much like the EOS M line as a whole. With Canon’s APS-C mirrorless camera range having seemingly plateaued at there were only so many bells and whistles that could make the M6 feel exciting – things like 4K video, which were sadly left the M6 with that awkward 'second camera' tag; that it was good enough to be your backup, or the one you took out when pictures weren’t quite as important, but it wouldn’t demand your attention beyond that. Well, you can officially throw that line of thinking out the window – both for the new Canon EOS M6 Mark II and the EOS M series as a whole. With all the tech that comes across our desks, it takes a lot for a camera to impress us these days. The M6 Mark II, however, took us completely by surprise with what it can do, and how capably it can do it. It's one of the best cameras for vlogging right now and certainly one of the best Canon cameras for those who want to go mirrorless. If you want the best camera for filmmaking, however, you may want to set your sights a little higher.• Canon EOS 90D vs Canon EOS M6 Mark II how do you choose?The Canon EOS M6 Mark II retains the 180° vertically tilting touchscreen Image credit FutureThe new powerhouse sensor gives this camera a higher resolution than its big brother, the Canon EOS R. In fact, the M6 Mark II packs more megapixels than any Canon body save the 50MP 5DS/R – not at all bad for the supposedly humble APS-C not only does it outmuscle the EOS R in the resolution stakes, it also outperforms it in a number of other departments – not least its freakish 14 frames per second continuous shooting mode, and the fact that it can shoot 4K video without any crop the two systems side by side, it actually becomes a challenge not to choose the Canon EOS M6 Mark II over its full-frame mirrorless siblings; it’s a more compact camera than the Canon EOS RP, and a more capable camera than the EOS R. While the Canon RF lens roadmap is undoubtedly better curated than the EF-M lineup, both mirrorless formats are still largely dependent on their seamless compatibility with traditional EF lenses. And, that being the case, the new M6 feels more compelling than its bigger brothers…Canon EOS M6 Mark II sample 1/125 sec, f/ ISO100 click top-right for full-size Image credit FutureSpecificationsSensor APS-C CMOS sensor Image processor Digic 8 AF points Dual Pixel CMOS phase detect, 143 / 99 points depending on lens ISO range 100 to 25,600 expandable to 51,200 Max image size 6,960 x 4,640 Viewfinder N/A Metering modes Evaluative, partial, center-weighted, spot Video 4K UHD up to 30fps, 1080p FullHD up to 120fps Memory card 1x SD / SDHC / SDXC UHS-II compatible LCD 3-inch tilting touchscreen, dots Max burst 14fps continuous, 30fps RAW burst mode Connectivity Wi-Fi, Bluetooth, USB-C, Micro HDMI Size x x mm Weight 398g body only, with battery and SD cardThe Canon EOS M6 Mark II features a switch to toggle between manual and autofocus Image credit FutureBuild and handlingThe Canon EOS M6 Mark II is slightly beefier than its predecessor, which measured x x mm and weighed in at 390g, but it remains a micro marvel. Even more so, in fact; for a camera this capable to be packed into a body this small is quite remarkable. However, there’s a temptation to conclude that its pocketable profile means it’s only fit for being a “travel camera” or a “street camera”. And yes, it is very much ideal for both of those things – but a more apt conclusion would be that the M6 Mark II is so small that it can transform the way you shoot, because you simply don’t require the bulky bodied system that you always thought you once again omitting a built-in viewfinder, the Mark II retains the sleek form factor that makes it at once compact for travel, discreet for street photography, one-handable for vlogging, and that perfect Goldilocks-size that’s still substantial enough for proper’ EOS M6 Mark II sample 1/250 sec, f/ ISO200 click top-right for full-size Image credit FutureFar from being a churlish move on Canon’s part, the decision to make the viewfinder an optional extra plays to the M6 Mark II’s strengths. The existing EVF‑DC2 available in a kit with the camera can be kept in a pocket and mounted to the hotshoe as and when required – this keeps the camera pocketable and portable, in a way that the EVF pentaprism would prevent. One of the nifiest additions to the Canon EOS M6 Mark II’s exterior is the new MF / AF toggle switch, filling part of the huge space next to the rear thumb grip. Seemingly superfluous at first, it quickly becomes a valuable part of your muscle memory – particularly with lenses that don’t feature their own an external MF / AF switch. The body features an ever so slightly chunkier grip, which helps it retain balance especially when using adapted EF lenses – something that will almost definitely be required, since the EF-M mount isn’t nearly as well catered for as its EF and RF counterparts. Its magnesium alloy chassis and thermoplastic exterior feel strong and sturdy, though the M6 isn’t an all-weather body and as such it’s not going to take the knocks that a 5D can.• The best EF-M lenses for your EOS M6 Mark IIThe optional EVF‑DC2 comes as part of a kit with the Canon EOS M6 Mark II Image credit FuturePerformanceWe first tried the EOS M6 Mark II in conditions that were far from optimal, in a dimly lit indoor karting track that was somewhat akin to shooting in the basement of a parking lot at night. Even so, the M6 Mark II impressed us. Subsequently we've tried it in more normal outdoor lighting, both for stills and video. The poor lighting certainly tested the ISO performance, while also putting the improved -5EV low light focusing through its paces. With the smaller sensor, noise does start to rear its head when you push beyond ISO1250, and capturing moving subjects at high speed meant that we had to exceed this by some margin. We cranked the ISO all the way up to 6400 for some low light test shots, such as the Budweiser sign, though the circumstances under which you would have to do likewise should be fairly slim. Despite the torrid illumination, the Canon EOS M6 Mark II’s 14 frames per second continuous shooting with continuous AF did a stellar job of keeping up with the action, capturing the cars as they came careening around corners. In fact, in some extremely limited testing, the improved Eye AF tracking even came in useful if drivers’ visors were up, as the camera was quick enough to find and follow EOS M6 Mark II sample 1/4000 sec, f/ ISO6400 click top-right for full-size Image credit FutureFinding focus manually is similarly smooth and simple, either tapping your focus point if shooting on the back screen or using touch-and-drag if using the EVF – a quick and capable replacement for a joystick, though obviously it’s not optimal in environments where cold fingers are less apt to be the lack of full articulation is a pity, the fact that the screen flips 180° does make it more vlogging-friendly – though the 180° display is impeded if you have something mounted on the shoe. This, and the lack of a headphone jack, makes the M6 Mark II less suited to pure video shooting than the Canon EOS 90D – an unfortunate oversight, as the smaller form factor would make this the more obvious vlogging notwithstanding, its 4K video comes up trumps. Not only is the footage uncropped, but the Dual Pixel AF is now fully functional while shooting 4K – and the camera now features clean HDMI output. Crop factors of varying severities can be introduced when using digital image stabilization, which is certainly effective but obviously eats into your composition. Canon EOS M6 Mark II sample 1/200 sec, f/ ISO500 click top-right for full-size Image credit FutureVideoThe EOS M6 Mark II does make a great camera for video, though it's more for the vlogging end of the market than serious filmmaking. It's very compact, it's very light and it's the easiest camera we've tried for gimbal mounting. You can see our sample video face/eye AF is excellent, and worked perfectly for our walking video test. It also has a large AF area 100% vertical x 88% horizontal. The resolution is not directly relevant for video, where the 4K UHD resolution is 3840 x 2160 pixels – a lot less than the full 6,960 x 4,640 pixels for stills – but the M6 Mark II produces decent quality 4K footage regardless, with great color 180-degree flip-screen is useful when you're filming yourself, though it has a tilting mechanism rather than the fully-articulating pivot found on many other Canon it's a fun little camera you can shoot some decent footage with. The buttons and switches are a good size and feel solid, and the menu navigation is easy, as we'd expect from a not all good. The EOS M6 Mark II does not yet shoot 4K at the popular 24fps frame rate which we're told is coming or at 60/50p which isn't. There's no in-body stabilization, so it's just as well it's light and wieldy on a gimbal, there's no zebra pattern exposure warnings, and no headphone jack to monitor the sound. The lack of a headphone jack is a surprise, since the technically similar EOS 90D DSLR does have one – and it's not often you can say a DSLR is better equipped for video than its mirrorless can shoot at a high frame rate in 1080p resolution, but not with continuous autofocus, and you don't get any log profiles either – though normally you'd only expect that in more expensive EOS M6 Mark II is as capable as a stills camera as it is for video, and delivers nice-looking colors. Image credit Alistair Campbell/Digital Camera WorldThe sensor does deliver a little more detail than rival 26/24-megapixel sensors, but the differences aren't huge. Image credit Alistair Campbell/Digital Camera WorldThe EOS M6 II can produced richly detailed black and white images too this image processed to taste. Image credit Alistair Campbell/Digital Camera WorldThe Canon's small size makes it handy for unobtrusive street photography, and the optional clip-on EVF is small enough to keep handy for when you want to switch to eye-level viewing. Image credit Alistair Campbell/Digital Camera WorldLab dataResolutionImage credit FutureWith on tap, it's small wonder that the EOS M6 Mark II comes out on top of its key rivals at lower ISO sensitivities in our resolution test. However, increased image noise at sensitivities past ISO 3200 results in obscured fine detail and eventually the M6 II falls behind its competitors at ISO 12, rangeImage credit FutureThe EOS M6 II delivers an almost identical amount of dynamic range to the Fujifilm X-T30 throughout the tested sensitivity range – no mean feat, as the X-T30 is very strong in this area. However, the new Canon still has some way to go if it's to match the Nikon Z 50's class-leading dynamic range at higher worth noting that any in-camera dynamic range enhancement is disabled for our lab testing in order to get a level playing to noise ratioImage credit FutureOur signal to noise test measures image clarity, specifically the ratio of the actual image 'data' you want to capture, versus the image noise that you don't want, but will inevitably be visible when shooting at higher ISO sensitivities. The higher the score at a given ISO sensitivity, the the higher the pixel density on a imaging sensor, the more image noise is generated at a given ISO sensitivity, putting the Canon at a theoretical disadvantage in this test compared to it's slightly lower resolution these results prove the theory translates to reality, as both the X-T30 and Z 50 come out ahead, and by a fairly wide margin at higher sensitivities. The EOS M6 II does stay ahead of the Sony a6400, which we'd expect given Canon's sensor is a newer architecture than the chip in the Canon EOS M6 Mark II has given new life to the previously flagging EOS M line. We’d even go one step further and offer that the M6 Mark II might be the best mirrorless camera that Canon has yet released. Yes, it lacks the larger sensor and more robust offering of native lenses, but in almost all other respects it is operationally superior to both the EOS R and RP. More megapixels, higher frame-rate, uncropped 4K video… in many respects, this is the camera that its older brothers should have a faster continuous mode than the Canon EOS 90D, it’s arguably a more adept action camera for subjects such as wildlife and sports than its new sibling – though the 90D, somewhat bafflingly, possesses the extra tricks the articulating screen and headphone output that make it more capable for video. The Canon EOS M6 Mark II is a ferocious little performer. A true jack of all trades, but not in a pejorative sense – this camera pumps out high quality pictures and captures crispy 4K video, both of which are worthy of far pricier bodies. Read more • The best EF-M lenses • Canon EOS 90D review • Canon EOS R review • The best Canon camera from DSLR to mirrorless to PowerShot and Ixus Thank you for reading 5 articles this month* Join now for unlimited accessEnjoy your first month for just £1 / $1 / €1 *Read 5 free articles per month without a subscription Join now for unlimited accessTry first month for just £1 / $1 / €1 Alistair is the Features Editor of Digital Camera magazine, and has worked as a professional photographer and video producer. Why you can trust TechRadar We spend hours testing every product or service we review, so you can be sure you’re buying the best. Find out more about how we test. Performance14fps or 30fps RAW burst mode 305-shot battery life Going on appearances, the Canon EOS M6 Mark II may not immediately strike you as being suited to action, sports and wildlife photography, but for a camera so diminutive it's actually packing some impressive specs that will appeal to photographers working in those genres. One such feature is 14fps shooting, which takes advantage of the sensor's full resolution, or if you're happy to drop down to 18-megapixel shooting, there’s a dedicated 30fps RAW burst mode. On the downside, the buffer isn’t huge – you’ll get 54 JPEGs or 23 raw files before it slows down, and a good workaround is to set it to capture smaller C-raw files, of which you’ll get 36. The official battery rating of the EOS M6 Mark II is a fairly unremarkable 305 shots, but with careful power management you can usually eke out far more than that. Good news here is that USB-C charging is on hand, which is great for power-ups on the move, or if you don't want to pack a whole lot of chargers when you qualityHighest-resolution Canon APS-C sensorUp to 25,600 native ISOGreat 'Fine Detail' Picture StyleThe new sensor inside the EOS M6 Mark II and indeed, the Canon EOS 90D comes with some pretty high expectations, thanks to its highest-ever resolution accolade – and happily, it’s capable of producing excellent-looking images. It’s disappointing not to see inbuilt optical image stabilization here, as it means you have to be a little bit careful with how you shoot, perhaps using faster shutter speeds or higher ISOs, but on the whole we were impressed with the performance from a camera that's so small and travel-friendly. We took lots of shots using the different Picture Style options, but our favorite is probably the Fine Detail setting, which takes advantage of that ultra-high pixel count to deliver images which almost pop from the screen, with excellent colors and bags of detail. Of course, many will also shoot in raw, and the M6 Mark II's raw files are fairly malleable, giving you good scope to adjust exposure in post-production.Image credit FutureOnly the EF-M 15-45mm f/ lens was supplied to us for testing with the camera, and while it's a decent walkabout lens for everyday use, you're likely to find that you crave better and/or more versatile optics at some point. Given the small size of the EOS M6 Mark II, a fantastic option for subjects like street and travel photography would be the EF-M 32mm f/ Having access to uncropped 4K video is excellent news, and here the EOS M6 Mark II also performs well, producing well-detailed, nicely saturated videos that any vlogger should certainly be happy with. The best travel cameras you can buy right now Amy has been writing about cameras, photography and associated tech since 2009. Amy was once part of the photography testing team for Future Publishing working across TechRadar, Digital Camera, PhotoPlus, N Photo and Photography Week. For her photography, she has won awards and has been exhibited. She often partakes in unusual projects - including one intense year where she used a different camera every single day. Amy is currently the Features Editor at Amateur Photographer magazine, and in her increasingly little spare time works across a number of high-profile publications including Wired, Stuff, Digital Camera World, Expert Reviews, and just a little off-tangent, PetsRadar. Most Popular Sobre a loja A Bella Photo é uma loja de equipamentos fotográficos desde 1999. REVENDA AUTORIZADA CANON. Câmeras Canon CINEMA / PROVIDEO / VIDEO PROFISSIONAL. Especialista Canon, Nikon, SanDisk, Sigma,Sony, Sekonic. Conte com toda a credibilidade de mais de 24 anos de história. Compre no site receba em casa. Horário de Atendimento Segunda a sexta-feira exceto feriados, das 9h às 18h. The store will not work correctly in the case when cookies are disabled. Features Overview Specs Reviews Resources Software Accessories Support High Image Quality with Megapixel CMOS APS-C Sensor. High-Speed Continuous Shooting of up to 14 fps with AF/AE Tracking. Dual Pixel CMOS AF with 5,481 Manually Selectable AF Positions*, and Eye AF Servo Support. 4K UHD 30p / Full HD 120p Video. Our Smart printer technology monitors your ink and toners usage, and automatically sends you more when your supply runs low. Free to enroll, no commitments, cancel anytime in your account. You only pay for what you need, when you need it! Need help making a purchase? Contact a Sales Expert at 800-385-2155 Return Policy The Canon Online Store will accept, for return or exchange, defective or unopened merchandise purchased at the Canon Online Store, subject to the exceptions and timeframe for returns listed below All merchandise returned to the Canon Online Store must be in the original packaging with all original items such as manuals, cables, etc. accompanying the merchandise and a copy of the invoice/packing slip included to be eligible for return or exchange. Shipping and handling fees from your original order will not be refunded, unless the merchandise is determined by the Canon Online Store, in its sole discretion, to be defective. See Return Policy for complete information. Technical Specifications View Full Technical Specs PDF Techs. Specs. Detailed PDF Type Type Digital single-lens non-reflex AF/AE camera with built-in flash Recording Media SD, SDHC and SDXC Memory Cards SD speed class compatibility. UHS speed class compatibility. High-speed writing is supported when a UHS-I or UHS-II-compatible SD card is used. Multimedia cards MMC cannot be used card error will be displayed. Image Format Approx. x APS-C Size Compatible Lenses Canon EF-M lens when using EF-M Mount Adapter EF/EF-S lens group Equivalent to approximately the focal length indicated on a mounted lens Image Sensor Pixels Effective pixels Approx. Megapixels Total pixels Approx. Megapixels * Pixels may decrease due to image processing. Pixel Unit Square pixel approx. μm Dust Removal Feature 1 Self Cleaning Sensor Unit Removes dust adhering to the low-pass filter. Self-cleaning can be done automatically when the power is turned on or off. Manual cleaning also possible. 2 Dust Delete Data acquisition and appending The coordinates of the dust adhering to the low-pass filter are detected by a test shot and appended to subsequent images. The dust coordinate data appended to the image is used by the EOS software to automatically erase the dust spots. Recording System Still Recording Format Design Rule for Camera File System and EXIF * Supports time difference information. Image JPEG, RAW CR3 a Canon 14-bit RAW format, C-RAW. File Size Aspect Ratio 32 169 43 11 Large Approx MP 6960 x 4640 Approx MP 6960 x 3904 Approx MP 6160 x 4640 Approx MP 4640 x 4640 Medium Approx MP 4800 x 3200 Approx MP 4800 x 2688 Approx MP 4256 x 3200 Approx MP 3200 x 3200 Small S1 Approx MP 3472 x 2320 Approx MP 3472 x 1952 Approx MP 3072 x 2320 Approx MP 2320 x 2320 Small S2 Approx MP 2400 x 1600 Approx MP 2400 x 1344 Approx MP 2112 x 1600 Approx MP 1600 x 1600 RAW/ C-RAW Approx MP 6960 x 4640 Approx MP 6960 x 4640 Approx MP 6960 x 4640 Approx MP 6960 x 4640 File Numbering Continuous, Auto Reset, Manual Reset RAW + JPEG Simultaneous Recording Yes Picture Style Auto, Standard, Portrait, Landscape, Fine Detail, Neutral, Faithful, Monochrome, User Def. 1-3 White Balance Settings 1 Auto Ambience/White priority 2 Day Light 3 Shade 4 Cloudy 5 Tungsten light 6 White fluorescent light 7 Flash 8 Custom 9 Color temperature White Balance Correction Blue/Amber ±9 levels Green/Magenta ±9 levels White balance bracketing available Viewfinder Viewfinder Information Attachment EVF-DC1 or EVF-DC2 connect to the hot shoe. Communication is performed through the use of a dedicated terminal attached to the shoe Autofocus Type Dual Pixel CMOS AF Face+Tracking AF, Spot AF, Zone AF, 1-point AF AF Points / AF Area Maximum 143 automatically selected Maximum 5481 manually selectable positions Horizontal approx. 88% x Vertical approx. 100% or Horizontal approx. 80% x Vertical approx. 80% Automatic switching based on lens AF Working Range EV -5–18 at room temperature, ISO 100, f/ center AF point, One-Shot AF Focusing Modes 1 Autofocus One-Shot AF Servo AF 2 Manual focus 3 Movie Servo AF Eye Detection AF Provided Touch & Drag AF Supported [With external EVF-DC1 or EVF-DC2] Still photo shooting only AF Assist Beam Built-in LED lamp MF Peaking Available Level High / Low, Color Red / Yellow / Blue Movie Servo AF speed Can be set when [Movie Servo AF Enable] and [AF method 1-point AF]. When active *Always on / During shooting AF Speed Slow -7, -6, -5, -4, -3, -2, -1, Standard, Fast +1, +2 * Works with lenses compatible with slow focus shift during movie recording. *If [when active] is set to [During shooting], the [Standard] speed will be used before shooting and Movie Servo AF at the set AF speed will be used during recording. Movie Servo AF Tracking Sensitivity Can be set when [Movie Servo AF Enable] and [AF method 1-point AF]. Locked on -3, -2, -1, 0, +1, +2, +3 Responsive Focusing Brightness Range Still Photo Shooting EV -5 to 18 center AF pointf/ center AF point, One-Shot AF, at 23°C/73°F, ISO 100 Movie Recording 4K movie EV to 18 center AF point Other than 4K movies EV -3 to 18 center AF point f/ center AF point, One-Shot AF, at 23°C/73°F, ISO 100 Full HD at / fps Exposure Control Metering Modes Real-time metering using the image sensor 1 Evaluative metering 384 zones 24 x16 2 Partial metering approx. of screen, at center 3 Spot metering approx. of screen, at center 4 Center-weighted evaluative metering Metering Range EV -2–20 at room temperature, ISO 100 Movie recording EV 0–20 at room temperature, ISO 100 Exposure Control Systems 1 Program AE 2 Shutter-priority AE 3 Aperture-priority AE 4 Manual exposure 5 Flexible-priority AE ISO Speed Range Recommended Exposure Index ISO Auto Range AUTO mode ISO 100-6400 Max. ISO Speed P mode ISO 25600 Creative Zone ISO Auto ISO100-25600 Manually set ISO100-25600, Hequivalent to 51200 Basic Zone ISO Auto Varies by shooting mode Exposure Compensation 1 Manual ±3 stops in 1/3- or 1/2-stop increments 2 AE Bracketing ±3 stops in 1/3- or 1/2-stop increments AE Bracketing can be used together with manual compensation. Shooting Mode Overview Creative Zone 1. Program AE Shiftable 2. Shutter-priority AE 3. Aperture-priority AE 4. Flexible-priority AE FV 5. Manual exposure 6. Custom shooting mode C1 or C2 Basic Zone 1. Scene Intelligent Auto Program AE/non-shiftable 2. Hybrid Auto 3. Special Scene a. Self Portrait b. Portrait c. Smooth skin d. Landscape e. Sports f. Panning g. Close-up h. Food i. Night Portrait j. Handheld Night Scene k. HDR Backlight Control 4. Creative Filters a. Grainy B/W b. Soft Focus c. Fish-eye Effect d. Toy Camera Effect e. Miniature Effect f. Water Painting Effect g. HDR Art Standard h. HDR Art Vivid i. HDR Art Bold j. HDR Art Embossed Shutter Type Vertical-travel mechanical focal-plane shutter, electronically controlled at all speeds Shutter Speeds Creative zone 1/4000 sec. to 30 sec., bulb Highest flash-sync shutter speed 1/200 sec 1/16000 when electronic shutter is selected. Basic Zone 1/4000 - 1 sec. Selection of Shutter Release method Shutter Mode Mechanical mechanical first and second curtain Electronic [ not available with HDR shooting, long exposure noise reduction, high ISO speed noise reduction, high ISO speed noise reduction, flash photography, continuous shooting, when AEB is set, or when flicker is detected. Shutter sound will not occur. Sound generated from other than the shutter such as aperture driving, focusing lens driving sound, or beeper may be audible. Timer Shooting Bulb timer Bulb exposure time settable Disable / Enable 1 sec. - 99 hr. 59 min. 59 sec. Interval Timer Disable / Enable Shooting interval 10 sec. - 99 hr. 59 min. 59 sec. Number of shots 1-99 unlimited * When using the lenses listed below, and if auto power off operates during interval timer shooting, the focusing position may be shifted. During interval timer shooting, disabling auto power off function or using lenses other than the following is recommended lenses EF-M 22mm f/2 STM, EF-M 32mm f/ STM. Self Timer Off, 2 sec. delay, 10 sec. delay, Custom, Remote Shooting, Continuous Time Lag LCD Monitor On Camera Start-up Time Approx. sec. based on CIPA testing standards Built-in Flash Type Retractable Manual pop-up flash Guide Number Approx. ISO 100, meters/feet Flash Coverage Covers approx. 15mm focal length 35mm film size conversion approx. 24mm Flash Exposure Compensation ±2 stops in 1/3- or 1/2-stop increments External Speedlite Flash Metering E-TTL II autoflash Flash Exposure Compensation ±2 stops in 1/3- or 1/2-stop increments External Flash Settings Flash functions settable with the camera. Drive System Drive Mode Single shooting, Continuous shooting High-speed continuous shooting, high-speed continuous + shooting, low-speed continuous shooting, panning, self-timer 10 sec/2 sec./remote control / continuous shooting Focus Bracketing Available Continuous Shooting Speed Approx. High-speed continuous + shooting*1 ONE SHOT AF Approx. 14 shots/sec. SERVO AF Approx 14 shots/sec. High-speed continuous shooting*1 ONE SHOT AF Approx. 7 shots/sec. SERVO AF Approx 7 shots/sec. Low-speed continuous shooting*1 ONE SHOT AF Approx. 3 shots/sec. SERVO AF Approx 3 shots/sec. Panning*2 Approx 4 shots/sec. *1 Conditions for max. Continuous shooting speed requires a fully charged Battery Pack LP-E17, lens EF-M15-45mm f/ IS STM, shutter speed of 1/1000 sec. or faster, maximum aperture f/ room temperature of 73°F/23°C, without flicker reduction. *2 With the shutter speed of 1/125, continuous shooting speed may vary depending on the shutter speed. ^BR-E1 is supported / RC-6 is not supported. Video Shooting File Format MP4 Video MPEG-4 AVC / variable average bit rate Audio MPEG-4 AAC-LC stereo File Size Recording Sizes 3840 x 2160 4K, 1920 x 1080 Full HD, 1280 x 720 HD, HDR movies, 4K Time-lapse movie, Full HD Time-lapse movie Frame Rates 4K [3840 x 2160] fps Full HD [1920 x 1080] fps / fps HD [1280 x 720] fps Estimated Recording time, Movie bit rate, and File size Movie Recording Size Recording File Size Bit rate/ File size approx. 8 GB 32 GB 128 GB 4k UHD 3840 x 2160 fps fps IPB 8 min. 35 min. 2 hr. 21 min. 120 Mbps 860 MB/min. Full HD 1920 X 1080 fps IPB 8 min. 35 min. 2 hr. 22 min. 120 Mbps 858 MB/min. fps IPB 17 min 1 hr. 10 min 4 hr. 43 min. 60 Mbps 431 MB/min. fps fps IPB 35 min. 2 hr. 20 min. 9 hr. 23 min. 30 Mbps 216 MB/min. fps IPB light 1 hr. 26 min. 5 hr. 47 min. 23 hr. 11 min 12 Mbps 87 MB/min. HD 1280 x 720 fps IPB 40 min. 2 hr. 42 min. 10 hr. 49 min. 26 Mbps 187 MB/min. † Recording bit rate of movie images only, sound data not included. * Movie recording stops automatically when the recording time reaches 2959 or 729 for a Full HD High Frame Rate Movie. * Movie recording does not stop automatically if the file size reaches 4 GB. [With exFAT-formatted SDXC cards, a movie is recorded as a single movie file even if it exceeds 4 GB] * The video and sound may be slightly out of sync when movies are played back in windows. Metering Modes Real-time metering using the image sensor 384-zone 24 x 16 metering 1 Evaluative metering ISO Speed Range Recommended Exposure Index ISO Auto Range AUTO and Manual mode ISO 100-6400 Expandable to ISO 12800 Exposure Compensation ±3 stops in 1/3- or 1/2-stop increments Sound Recording Adjustment Sound Recording Auto, Manual, Disable Manual sound-recording level 64 levels Attenuator Auto / Enable / Disable Wind filter Auto/Disable Sound-recording level meter Provided can be checked in sound recording menu Movie Digital IS Movie Digital IS setting 4K Full HD/HD Disable Approx. 100% Approx. 100% Enable Approx. 90% Approx. 90% Enhanced Approx. 70% Approx. 70% Remains active when an IS lens is used with the IS switch set to ON. Provides 5-axis stabilization. Compatible lenses EF-M15-45mm IS STM, F-M 18-150mm IS STM. Compatible with coordinated control Combination IS - Remains active when a combination IS-compatible lens is used. - With incompatible non-IS lenses, only stabilization by the camera is available. - Movie digital IS is not available for HDR movies SCN, Creative filters, or time-lapse movies. HDMI Output / HDMI Output Information Display HDMI Resolution Auto / 1080p HDMI output for movie footage Supported HDMI information display Color sampling method Uncompressed YCbCr 422, 8-bit Color space Content in the output format set on the camera is displayed on the device connected via HDMI. The content that can be displayed varies depending on the specifications of the monitor connected via HDMI. Thus,display matching camera settings may not be supported. HDMI Information Display Content Displayed via HDMI, Camera Operation Auto Output of images and shooting information Camera screen is turned off Images are recorded to the card Clean / 4K UHD output Output of images in up to 4K resolution* without information Camera screen shows images with information No image is recorded to the card Wi-Fi communication disabled Clean / Full HD output Output of images in up to Full HD resolution* without information Camera screen shows images with information No image is recorded to the card Wi-Fi communication disabled * If the monitor connected via HDMI does not support the camera output format, the resolution of the output format is lowered for display but display may not be possible, depending on monitor specifications. HDMI Resolution HDMI Resolution Resolution NTSC Auto 4K 1080 / 480 1080p 1080 / 480 LCD Monitor Type TFT color liquid crystal monitor Monitor Size wide-screen Pixels Approx. million dots Features Tilt upwards approx. 180° + downwards approx. 45° Touch-screen Panel Provided Brightness Control Adjustable to one of 7 brightness levels. Interface Languages 29 English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Vietnamese, Hindi, Romanian, Ukraine, Turkish, Arabic, Thai, Simplified/Traditional Chinese, Korean, Malay, Indonesian, and Japanese Playback Display Format 1 Single-image display 2 1 shot + information display Simple information Detailed information Histogram Lens aberration correction 1, 2 Picture Style 1, 2 Noise reduction Correction data 3 Index display 4-image 9-image 36-image 100-image 4 Image rotation Quick Control Dial Provided Image Protection Provided Image Processing After Shooting In-camera RAW image processing Brightness adjustment up to 1 stops in 1/3-stop increments, white balance auto white balance provides [Ambience priority] and [White priority] settings, picture style, auto lighting optimizer, high ISO speed NR, image quality, color space, lens aberration correction peripheral illum corr, chromatic aberr corr, diffraction correction, distortion correction, digital lens optimizer. Direct Printing Compatible Printers PictBridge-compatible printers Printable Images JPEG, RAW*/C-RAW files are printable. *Prints JPEG images used for display, which are taken on the same model. Digital Print Order Format DPOF DCF-compliant DPOF compatible Version Customization Custom Controls Camera Controls/Buttons Customization Functions can be assigned to the following controls set in Custom Functions Shutter button Movie button AF-ON button AE lock button Cross button up, down, left, right SET button M-Fn button Dial function button Vertical viewfinder display* Viewfinder display format* Frame rate switching* *With External Viewfinder. Customized Dials Main dial Control Quick control dial Custom Shooting Mode Current camera settings can be registered to C1 and C2 on the Mode Dial. Automatic updating of the registered settings can be set to Enable or Disable. Interface Audio/Video OUT Terminal HDMI OUT terminal Type D HDMI output while recording available CEC not supported. Power Source Battery LP-E17 Operation using AC power supported with AC Adapter CA-PS700 and DC Coupler DR-E17. USB Power Adapter PD-E1 cannot be used to power EOS M6 Mark II, but can charge battery pack while in-camera. Battery Life Number of Still Image Shots CIPA compliant Monitor On Approx. 305 shots* Electronic Color Viewfinder On Approx. 250 shots * By default, the camera is set for power saving. Number of Still Image Shots Eco Mode On Monitor On Approx. 410 shots Movie Recording Time CIPA compliant Monitor On Approx. 1 hr 20 min. / Continuous Shooting Approx. 2 hr. 15 min. Electronic Color Viewfinder On Approx. 1 hr 10 min. / Continuous Shooting Approx. 2 hr 15 min. Playback Time Approx. 5 hr. * Time when playing back a slideshow of still images. * With a fully charged LP-E17. Dimensions and Weight Dimensions W x H x D Approx. x x in. x x * CIPA compliant. Weight Black Approx. oz. / 361g body only Approx. oz. / 408g including battery pack, memory card * CIPA compliant. * Weighed without body cap Silver Approx. oz. / 361g body only Approx. oz. / 408g including battery pack, memory card * CIPA compliant. * Weighed without body cap Operating Environment Working Temperature Range 32-104°F / 0-40°C SDK / API Compatibility USB Tethered SDK Are a developer and want to control select Canon cameras within your application? The Canon EDSDK allows you to set various camera settings, take a picture, and the retrieving of images remotely using a USB connection. The EDSDK is available at the Canon Developer Community website. Go to for more information. Wireless API Are a developer and want to control select Canon cameras within your application? The Canon CCAPI allows you to set various camera settings, take a picture, and the retrieving of images remotely using a Wi-Fi connection. The CCAPI is available at the Canon Developer Community website. Go to for more information. Product Disclaimer * Available AF points may decrease when shooting with AF cropping or in movie mode, or depending on camera settings or lens attached. ** Electronic viewfinder sold separately from EOS M6 Mark II camera body. EVF is included with lens kits. *** Compatible with iOS versions Android™ smartphone and tablet versions 5./ Data charges may apply with the download of the free Canon Camera Connect app. This app helps enable you to upload images to social media services. Please note that image files may contain personally identifiable information that may implicate privacy laws. Canon disclaims and has no responsibility for your use of such images. Canon does not obtain, collect or use such images or any information included in such images through this app. **** Compatible with select smartphone and tablet devices Android™ version 5. or later and the following iOS devices iPhone 4s or later, iPad 3rd gen. or later, iPod Touch 5th gen. or later equipped with Bluetooth version or later and the Camera Connect App Ver. This application is not guaranteed to operate on all listed devices, even if minimum requirements are met. ^ When using the EF-M 18-55mm f/ IS STM lens to shoot still photos or record movies with high ISO speeds, horizontal noise stripes may be recorded. If horizontal noise stripes appears, setting the lower ISO speed, or setting lower value for [Maximum] of [Auto range] still photo shooting or [Max for Auto] movie recording is recommended. ダウンロード前に下記の使用許諾契約書を必ずお読みください。ダウンロードを開始された場合には本許諾書に同意されたものとさせていただきます。 - 動画のパソコンへの取り込みは、キヤノンのアプリケーションで行ってください。 - Digital Photo Professional 4シリーズはDigital Photo Professional 1～3とレシピ互換はありません。 - Digital Photo Professional 4シリーズとDigital Photo Professional このソフトウェアを使用するには、お使いのパソコンが次の条件を満たしている必要があります。 1. 対象OS Windows 11, Windows 10 64bit 2. 対応パソコン 上記OSがプリインストールされているパソコン アップグレード機は動作保証外 .NET Framework * .NET Frameworkはマイクロソフト社のソフトウェアでDigital Photo Professional 4とともにインストールされます。インターネットに接続できる環境が必要。 CPU; - EOS-1D X Mark III, EOS R3, EOS R5, EOS R5 C, EOS R6 Mark II, EOS R6, EOS R7, EOS R8, EOS R10, EOS R50で撮影した画像 インテル Core iシリーズ 推奨 インテル Core i7以上 - それ以外のカメラで撮影した画像 インテル Core 2 Duo 推奨 インテル Core iシリーズ以上 RAM; - EOS-1D X Mark III, EOS R3, EOS R5, EOS R5 C, EOS R6 Mark II, EOS R6, EOS R7, EOS R8, EOS R10, EOS R50で撮影した画像 4GB以上 推奨8GB以上 - EOS R5 [IBISハイレゾ撮影] で撮影した画像：32GB以上 - それ以外のカメラで撮影した画像 2GB以上 推奨4GB以上 ストレージ; - インストール時： 300MB以上の空き容量 - 動作時： 600MB以上の空き容量 動画再生推奨環境; - 8K MP4 インテル Xeon E5-2687W v3 x2基以上, RAM 16GB以上 - 4K / Full HD 60/50/ MOV/MP4 Canon Log/HDR PQ記録 インテル Xeon E5-2687W v3 x2基以上, RAM 8GB以上 - 4K 60/50/ MP4 第8世代 インテル Core i7-8700以上, RAM 4GB以上 - 4K MOV/MP4 第6世代 インテル Core i7 4Core以上, RAM 4GB以上 - Full HD MOV/MP4 第4世代 インテル Core i7 4Core以上, RAM 4GB以上 * 8K / 4K解像度の動画を表示、再生する場合、AMD社製、NVIDIA社製GPUのご利用をお勧めします。 推奨環境を満たしていても、スムーズに再生できない可能性があります。 3. ディスプレイ - 解像度： 1,024x720 以上 推奨1,600x1,200 以上 4. 対応機種 EOS R100, EOS R8, EOS R50, EOS R6 Mark II, EOS R7, EOS R10, EOS R5 C, EOS R3, EOS Kiss M2, EOS R5, EOS R6, EOS Kiss X10i, EOS-1D X Mark III, EOS Ra, EOS M200, EOS 90D, EOS M6 Mark II, PowerShot G5 X Mark II, PowerShot G7 X Mark III, EOS Kiss X10, EOS RP, EOS R, PowerShot SX70 HS, EOS D2000*, EOS D6000*, EOS D30, EOS D60, EOS 10D, EOS Kiss Digital, EOS Kiss M, EOS Kiss X90, EOS-1Ds Mark III, EOS-1Ds Mark II, EOS-1Ds, EOS-1D X Mark II, EOS-1D X, EOS-1D Mark IV, EOS-1D Mark III, EOS-1D Mark II N, EOS-1D Mark II, EOS-1D C, EOS-1D, EOS 80D, EOS 7D Mark II, EOS 7D, EOS 70D, EOS 6D Mark II, EOS 6D, EOS 60Da, EOS 60D, EOS 5DS R, EOS 5DS, EOS 5D Mark IV, EOS 5D Mark III, EOS 5D Mark II, EOS 5D, EOS 50D, EOS 40D, EOS 30D, EOS 20Da, EOS 20D, EOS 9000D, EOS 8000D, EOS Kiss X9i, EOS Kiss X9, EOS Kiss X8i, EOS Kiss X80, EOS Kiss X7i, EOS Kiss X70, EOS Kiss X7, EOS Kiss X6i, EOS Kiss X50, EOS Kiss X5, EOS Kiss X4, EOS Kiss X3, EOS Kiss X2, EOS Kiss F, EOS Kiss Digital X, EOS Kiss Digital N, EOS M100, EOS M10, EOS M6, EOS M5, EOS M3, EOS M2, EOS M, PowerShot G16, PowerShot G15, PowerShot G12, PowerShot G11, PowerShot G10, PowerShot G9 X Mark II, PowerShot G9 X, PowerShot G9, PowerShot G7 X Mark II, PowerShot G7 X, PowerShot G5 X, PowerShot G3 X, PowerShot G1 X Mark III, PowerShot G1 X Mark II, PowerShot G1 X, PowerShot SX60 HS, PowerShot SX50 HS, PowerShot SX1 IS, PowerShot S120, PowerShot S110, PowerShot S100, PowerShot S95, PowerShot S90 * CR2 - HDR PQを使用する場合の推奨動作環境は以下の通りです。 対象機種 EOS-1D X Mark III, EOS R3, EOS R5, EOS R5 C, EOS R6 Mark II, EOS R6, EOS R7, EOS R8, EOS R10, EOS R50, EOS R, EOS 5D Mark IV CPU インテル Core iシリーズ RAM 4GB以上 推奨 8GB以上 - HDRディスプレイへHDR表示可能な環境は以下の通りです。 OS Windows 11, Windows 10でのディスプレイ設定で HDR表示を[ON]にできる環境であること。 最新のグラフィックス・ドライバーをインストールしてご使用ください。 - RAW動画ツールを使用するためには、以下の環境が必要です。 推奨環境 CPU Intel Xeon E5-2687W v3 x2基以上 GPU NVIDIA GeForce RTX 2080 RAM 32GB以上 ストレージ Read 400MB/s以上 最低環境 CPU Intel Core iシリーズ以上 GPU NVIDIA社製のGPU EOS-1D X Mark III, EOS R3 VRAM 4GB以上, EOS R5 VRAM 8GB以上 最新のNVIDIA社製ドライバがインストールされている必要があります。 ダウンロードおよびインストールを行うには、以下の手順に従ってください。 インストールする際には、他のアプリケーションソフトウェアを終了してください。 1. カメラ本体に記載されているシリアル番号を入力して、ダウンロードページから " をダウンロードします。PCの任意のフォルダへ " を保存してください。 2. PC上に保存した " を展開すると " というフォルダができるので、その中にある " をダブルクリックします。Digital Photo Professionalのインストールが開始されます。 （ [ユーザーアカウント制御] のウィンドウが表示された場合は「はい」を選択することでインストーラーが起動します。） 3. 画面の指示に従ってインストールを行ないます。 4. インストールが終了するとDigital Photo ProfessionalのインストーラーはPCの再起動を要求することがあります。その際はPCの再起動を行ってください。インストールが正常に終了すれば ダウンロードしたファイルと " は不要です。 Digital Photo Professional 4は、Picture Style をベースとした様々な画像調整機能により、思いのままの画像調整をスピーディーに行うことのできるキヤノン純正のRAW画像の閲覧、セレクト、現像アプリケーションです。

canon m6 mark ii